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Behind UBERMORGEN.COM we can find one of the most unmatchable identities – controversial and iconoclast – of the contemporary European techno-fine-art avant-garde. Their open circuit of conceptual art, drawing, software art, pixel-painting, computer installations, net.art, sculpture and digital activism (media hacking) transforms their brand into a hybrid Gesamtkunstwerk. UBERMORGEN.COM’s work is unique not because of what they do but because how, when, where and why they do it.
The computer and the network are (ab)used to create art and combine its multiple forms. The permanent amalgamation of fact and fiction points toward an extremely expanded concept of one’s working materials, that for UBERMORGEN.COM also include (international) rights, democracy and global communication (input-feedback loops). “Ubermorgen” is the Germanword both for “the day after tomorrow” or “super-tomorrow”.
Selected exhibitions include:
Solo-Show at Kunsthaus, Graz; (Austria)
Ubermorgen: (F)original - Authenticity As Consensual Hallucination, HMKV, Dortmund (Germany)
Hybrid - living in paradox, Ars Electronica Festival, Linz / Austria; Ars Electronica
Museu d`Art Contemporani de Barcelona (SPAIN)
Aldrich Contemporary Art Museum Connecticut, (USA).